ICAD 2013 First Week Catch-Up

Presenting a round-up of my first 6 days of Index-Card-A-Day (and my {be creative everyday} practice, too!)

ICAD3 : JUNE 2 : Queen
Prompt: crown.  Theme: rainbow colors.

Created with a background of painty phonebook pages from cleaning off my brayer when Gelli™ printing. The rest is acrylic paint, ink, gel pen, & colored pencil.

-----------------------------------------------------------

ICAD3 : JUNE 3 : Fearless
Prompt: zebra

Woman cut from magazine. I added her stripes with a Sharpie™. The background is acrylic paint and my own handmade stamp designs.

-----------------------------------------------------------

ICAD3 : JUNE 4 : Klimt

Gustav Klimt has been on my mind lately. Created with thick handmade paper collage,  watercolor crayons, a brown Sharpie™, white gel pen, gold gel pen, and graphite.

-----------------------------------------------------------

ICAD3 : JUNE 5 : Love

This one doesn't fit any prompts. She has been hanging around in my head for some time and I had to let her out. I plan on doing something with her for a painting.

-----------------------------------------------------------

ICAD3 : JUNE 6 : {Grow Beauty}

This started with a scrapbook paper background I chose because I liked the colors. I used acrylic paint to stamp the flower designs that are my own handmade stamps. I added detailing with my white gel pen. The letters are stickers I embellished a little. Black ink added to the edges makes the contrast pop. 

-----------------------------------------------------------

For June 7th, I had an all day painting class and totally forgot to paint my index card there! So that one will be a "make-up" card related to my class. I might add a little photo of my painting!

I have TONS of ideas for cards this year. Running out of inspiration won't be a problem. Over the weekend I Gelli™ printed a bunch of cards to have handy backgrounds already started. I cannot recommend doing this enough for those days when you have little to no time to do a card. Just add a doodle or some text. Voilà!!

- Vickie

It's Time for Index-Card-A-Day 2013!

Hello, June! You are my favorite month. The flowers and trees are finally blooming all over. My raspberry bushes are bending under the strain of so many hopeful buds. Warm nights smell of lilacs, roses, and neighborhood fire pits. In other words, summer finally makes it's late entrance here in the "frozen tundra" of Rochester, NY.

June means the beginning of the 2013 Index-Card-A-Day Challenge (ICAD3)! One index card a day for June and July = 61 cards! Everyone is welcome to join. If you're late starting, that's ok. Just start! 

Tammy at Daisy Yellow has (completely optional) prompts and weekly themes. If you're kind of stuck and don't know what to do, these can be a helpful push.

Join the flickr group and share your cards! Join the Facebook group, too! 

Hashtags & such: On twitter + instagram + tumblr + facebook use #icad. On flickr tag your artwork icad.

Link your blog posts here: http://daisyyellowart.com/icad/icad-faq.html. 

ICAD3 - JUNE 1, 2013
Painty phone book page collage background, acrylic paint, gel pens, Pitt pens, stamps, soft gel medium (semi-gloss). 

So here is my first card! The background is a collage of painty phone book pages that I use to clean off my brayer when printing. Ooohh, all the juicy colors left behind! It seemed a waste to, well, waste them. Details were added with gel pens and Pitt pens. 

I got lucky with my estimate of how long I needed to paint the white stripes to allow for the stamping of the words. Thanks, Muse!

I truly hope you decide to join in the fun. No pressure on all 61 cards. I had a blast doing this last year and I didn't make all 61. The world did not end. :)

Now shut off the computer and make some index cards!

- Vickie

"Soar & Fly" Art Journal Page

From this ...

... to this ...

... to this! Ta da!

This page had more planned for me than I did for it! My muse was here in my presence. I could hear her whispering to me to "let my Little Bird fly". 

Fly, Little Bird. 

Fly and soar. 

Trust your wings. 

Sing your song! 

Your amazing tiny heart 

will take you anywhere.

This bird stamp is my design, and is made from foam sheet and cardboard. It is outlined in orange Copic marker and then black Stabilo pencil for dimension. The bird cage is white-out pen. I drew over that with a sparkly gel pen to make the bars look shiny and metal. 

The purple circle and scalloped dictionary page were scraps laying around. I added my handmade button stamp to the circle and layered them. I used my label maker to print the words because I was in a hurry. They are pixelated, and that bugs me, but it's not a deal-killer on this piece. 

The letters for "soar" were brown to start with. I painted them and stamped some dots and lettering on them with paint. The dimension the raised letters add is lovely! 

The little heart banner is punched hearts from book pages and baker's twine. A little watercolor splashed on the hearts creates some interest. 

Look! I managed to sew in curvy lines - not jagged straight-ish arcs! The paper itself is created with gelli plate printing and white gel pen. This is before I drew the heart and swirly black line.

To connect the theme of singing I glued down some tissue tape with music on it. That needed some color so I washed a little acrylic paint over the tape. Using a Molotow white paint pen I wrote the words "sing your song" and added black to make it more readable. Some little doodles and stars here and there finished the piece nicely. 

There you have it! This is the first art journal page I have completed this year. It took several days to work out. I printed the background about a month ago with my gelli plate right into the journal. 

I worked on it here and there for a while until the full image finally came together. I wanted to experiment with some ideas I had in my sketchbook, and this piece gave me the chance to work those ideas out more thoroughly. That's what I love about art journaling! Mad science experiments! Focusing on the process! Mastering techniques! Practice  Practice. Practice!! 

I hope you have a wonderful weekend! Happy Easter if you celebrate! Also, Mr. M turns 40 this weekend! Huzzah!

- Vickie

"Summer Evening" Gelli Print

Since my Artist Spotlight post went up at Gelli Arts' Facebook page I've had some inquiries into how I've created some of these prints. Several people had questions regarding the vibrancy of my prints. How do I do it?

To be honest, I'm not completely sure. I really had to go back and almost dissect my work to produce an answer. 

Right now my best "guess" is using color theory to not layer colors over each other that produce muddiness (like putting a bright yellow over a purple because red + blue + yellow = mud). 

I use rather bright paint colors to begin with. As with any kind of paint the colors vary in opacity and translucency. Knowing your paint helps a lot. 

Let's take a look at my "Summer Evening" gelli monoprint.

I will freely admit much of this print is a happy accident. This piece was very experimental from the start except for the leafy vine stencil I cut freehand. 

The first layer of paint is a dark cranberry purple -  Yes, I know I just ignored the suggestion above about putting those colors in a bottom layer. Experimental, remember? 

The large circles, when wiped out with my finger and a paper towel, looked really nice with how organic the edges became when printed. 

I added a little fuchsia over that cranberry purple. You can see in the wiped out circles the little lines and squares of fuchsia. 

I wanted a lot of color and layers under the vine to create a lot of dimension. Intending to just print on the left side under where I planned to put the vine stencil, I inked up my gelli plate with yellow. While printing the left side of the piece, the right edge of the paper fell out of my hand and into the yellow paint. EEEK!

Mud! Instant muddy brown. What to do?! Grab a baby wipe!

I figured there was enough paint on the paper already that it would hold up to a wet wipe down. When I wiped away the yellow paint it left this glowing, bright yellow orange behind. The fuchsia and yellow created this color in the white space of the wiped out circles. So basically this side of the print received a yellow color wash. Nice happy accident! 

Incidentally, you can see how awful that yellow muddied things up if you look in the upper right corner of the piece. There is some of that yellow that I didn't wipe off. (I suppose if I wasn't going for bright colors and wanted brown I would have been satisfied with that yellow.)

I printed a thick layer of turquoise while masking out the vine with my hand cut stencil. Then I used a handmade stamp over that with more fuchsia. Several more handmade stamps, some stenciling with punchinella, and some white gel pen brought the piece together.

Ta da!

Working on this piece got my brain wondering how color washes over prints would look. I added Distress Stains over some parts of other prints, and it looks really cool. Adds a pop the piece didn't have before. I also seem to have a thing against white space. I love full blown color all over. I made some prints on paper I covered completely in Distress Stains and watercolor. 

Color washing first also helps me avoid the "white blank page" staring contest. It's already started! All I'm doing is adding to it, I tell myself reassuringly. 

I would love to share in the joy of your happy accidents! Link up to your posts about them in the comments, please!

- Vickie

{be creative everyday: 2013} MARCH 8

{be creative everyday} MARCH 8 :: gelli print collage, a photo by Vickie @ In My Head Studios on Flickr.

Gelli Print Collage - work in progress

paper collage of acrylic monoprints, gel pen, ink, handmade stamps
5.5" x 4.25"
© 2013 Victoria Porter

This isn't quite the finished version. I added a little more detail to it after I took this photo with my phone. 

All of these pieces of paper were printed on my gelli plate. Some were already printed with text, like the Japanese newspaper I picked up on a visit to Austin, Texas, and some dictionary pages. Using my hand-carved stamps and black archival ink, I stamped some designs on some of the pieces.  

I'm deciding whether or not to send it through my sewing machine for some random stitching. It feels disparate to me and needs some cohesion. 

What do you think? Stitching or not?

Happy Monday!

- Vickie