"Soar & Fly" Art Journal Page

From this ...

... to this ...

... to this! Ta da!

This page had more planned for me than I did for it! My muse was here in my presence. I could hear her whispering to me to "let my Little Bird fly". 

Fly, Little Bird. 

Fly and soar. 

Trust your wings. 

Sing your song! 

Your amazing tiny heart 

will take you anywhere.

This bird stamp is my design, and is made from foam sheet and cardboard. It is outlined in orange Copic marker and then black Stabilo pencil for dimension. The bird cage is white-out pen. I drew over that with a sparkly gel pen to make the bars look shiny and metal. 

The purple circle and scalloped dictionary page were scraps laying around. I added my handmade button stamp to the circle and layered them. I used my label maker to print the words because I was in a hurry. They are pixelated, and that bugs me, but it's not a deal-killer on this piece. 

The letters for "soar" were brown to start with. I painted them and stamped some dots and lettering on them with paint. The dimension the raised letters add is lovely! 

The little heart banner is punched hearts from book pages and baker's twine. A little watercolor splashed on the hearts creates some interest. 

Look! I managed to sew in curvy lines - not jagged straight-ish arcs! The paper itself is created with gelli plate printing and white gel pen. This is before I drew the heart and swirly black line.

To connect the theme of singing I glued down some tissue tape with music on it. That needed some color so I washed a little acrylic paint over the tape. Using a Molotow white paint pen I wrote the words "sing your song" and added black to make it more readable. Some little doodles and stars here and there finished the piece nicely. 

There you have it! This is the first art journal page I have completed this year. It took several days to work out. I printed the background about a month ago with my gelli plate right into the journal. 

I worked on it here and there for a while until the full image finally came together. I wanted to experiment with some ideas I had in my sketchbook, and this piece gave me the chance to work those ideas out more thoroughly. That's what I love about art journaling! Mad science experiments! Focusing on the process! Mastering techniques! Practice  Practice. Practice!! 

I hope you have a wonderful weekend! Happy Easter if you celebrate! Also, Mr. M turns 40 this weekend! Huzzah!

- Vickie

"Summer Evening" Gelli Print

Since my Artist Spotlight post went up at Gelli Arts' Facebook page I've had some inquiries into how I've created some of these prints. Several people had questions regarding the vibrancy of my prints. How do I do it?

To be honest, I'm not completely sure. I really had to go back and almost dissect my work to produce an answer. 

Right now my best "guess" is using color theory to not layer colors over each other that produce muddiness (like putting a bright yellow over a purple because red + blue + yellow = mud). 

I use rather bright paint colors to begin with. As with any kind of paint the colors vary in opacity and translucency. Knowing your paint helps a lot. 

Let's take a look at my "Summer Evening" gelli monoprint.

I will freely admit much of this print is a happy accident. This piece was very experimental from the start except for the leafy vine stencil I cut freehand. 

The first layer of paint is a dark cranberry purple -  Yes, I know I just ignored the suggestion above about putting those colors in a bottom layer. Experimental, remember? 

The large circles, when wiped out with my finger and a paper towel, looked really nice with how organic the edges became when printed. 

I added a little fuchsia over that cranberry purple. You can see in the wiped out circles the little lines and squares of fuchsia. 

I wanted a lot of color and layers under the vine to create a lot of dimension. Intending to just print on the left side under where I planned to put the vine stencil, I inked up my gelli plate with yellow. While printing the left side of the piece, the right edge of the paper fell out of my hand and into the yellow paint. EEEK!

Mud! Instant muddy brown. What to do?! Grab a baby wipe!

I figured there was enough paint on the paper already that it would hold up to a wet wipe down. When I wiped away the yellow paint it left this glowing, bright yellow orange behind. The fuchsia and yellow created this color in the white space of the wiped out circles. So basically this side of the print received a yellow color wash. Nice happy accident! 

Incidentally, you can see how awful that yellow muddied things up if you look in the upper right corner of the piece. There is some of that yellow that I didn't wipe off. (I suppose if I wasn't going for bright colors and wanted brown I would have been satisfied with that yellow.)

I printed a thick layer of turquoise while masking out the vine with my hand cut stencil. Then I used a handmade stamp over that with more fuchsia. Several more handmade stamps, some stenciling with punchinella, and some white gel pen brought the piece together.

Ta da!

Working on this piece got my brain wondering how color washes over prints would look. I added Distress Stains over some parts of other prints, and it looks really cool. Adds a pop the piece didn't have before. I also seem to have a thing against white space. I love full blown color all over. I made some prints on paper I covered completely in Distress Stains and watercolor. 

Color washing first also helps me avoid the "white blank page" staring contest. It's already started! All I'm doing is adding to it, I tell myself reassuringly. 

I would love to share in the joy of your happy accidents! Link up to your posts about them in the comments, please!

- Vickie

{be creative everyday: 2013} MARCH 8

{be creative everyday} MARCH 8 :: gelli print collage, a photo by Vickie @ In My Head Studios on Flickr.

Gelli Print Collage - work in progress

paper collage of acrylic monoprints, gel pen, ink, handmade stamps
5.5" x 4.25"
© 2013 Victoria Porter

This isn't quite the finished version. I added a little more detail to it after I took this photo with my phone. 

All of these pieces of paper were printed on my gelli plate. Some were already printed with text, like the Japanese newspaper I picked up on a visit to Austin, Texas, and some dictionary pages. Using my hand-carved stamps and black archival ink, I stamped some designs on some of the pieces.  

I'm deciding whether or not to send it through my sewing machine for some random stitching. It feels disparate to me and needs some cohesion. 

What do you think? Stitching or not?

Happy Monday!

- Vickie

Felted Artist Trading Cards

I got this idea from a magazine that I now cannot remember the name of or I would link to it here. This woman made the loveliest Artist Trading Cards (ATCs) from felt and wool roving. So I decided to try it out as some of my work has leaned me toward fiber arts and felting. The ATC biz is something I’ve been interested in as well.

Pink Flowers

This is the first one I made. Needle felted simple round flowers with French knot details and embroidery on a purple felt base. “Hey,” I’m thinking to myself. “This isn’t as hard as I thought it was going to be!” 

House

Needle felted onto black craft felt. Embroidered with glass beads. I added the little bird because the house looked lonely.

Bird’s Nest

I got a little wild with this one. The brown roving nest needle felted onto the cream was boring to my eye. My mother gave me some brown sparkly eyelash yarn from a project she had done. I wasn’t sure if it would stick, but I tried it anyway. I’m really pleased with the results. The green leaves and other beads just makes this one pop. It’s my favorite so far. 

All of these still need a backing sewed onto them with my information for an ATC swap I might try. I just cannot decide what fabric to sew onto them. Plus getting out my sewing machine is hard when my studio is such a mess.

A Little Home

The newest listing in my Esty shop is a lovely little pendant about love and home. The front has a little house with a flower shape punched out. I put a little bit of vintage paper text behind it. A tiny little tree stands next to the house while happy clouds dance in the sky. The back has a handwritten message that reads, “home is where love lives”. A red paper heart accents the wording.

All of these elements are cut from printed scrapbook paper. I ran the edges along my brown ink pad to age them and give more depth. The clouds were printed with white pigment ink using the business end of a retracted ballpoint pen. It’s an easy way to stamp little circles.

This pendant is the first in my 2008 Valentine’s Day series. Watch for more coming this week and next.

Merry Merry

This would have been the Christmas card I sent out this year had they been finished in time. Somehow I didn't get a lot of Christmas things done in time. I really love Christmas trees, but we didn't get one decorated. In fact, no stockings are hung by my chimney with care. At least I don't feel scroogy about it. It is what it is. Too much too do and too little time.

We went to my mother's for Christmas Eve. She always puts out a fabulous spread of food. I had a few Kahluas and milk. Wheeeeeeee! My niece was jazzed up for presents and helpfully assured us all of some assistance with opening our gifts. Three and a half is a great age for Christmas spirit and she is full of it. I wonder if she fell asleep yet.

So, I wish y'all holiday cheer and time with family and friends. Be safe on the roads, hug and kiss profusely, sing, laugh, love. ♥!!

Another First

Last week at work, I made my first Artist Trading Card. At work? Yes, I had to fill in for the art therapist while she was away. Poor me. Not doing my own work and making art instead. Someone should call the Department of Labor.

We had a group of artists who have wanted to learn about these for a while and some who knew nothing about ATCs at all. It was strange to run a group about something I know about but never actually did. So I was kind of winging it. 

Last year I bought a book called Artist Trading Card Workshop. I highly recommend this book to all ATC enthusiast and beginners. The book is filled with techniques for backgrounds and collages from easy to more advanced. Some projects included are painting on paper towels, stenciling, transfer techniques, embossing resists, and using resin. Directions for making an accordion book to hold all your cards can be found at the back of the book. Hundreds of full color images of ATCs are sprinkled throughout to add more juice to your imagination. 

I passed this book around the room so the artists would get a visual sense of what I was talking about. And then we spent two hours creating. Nothing beats being in a room full of artists working on art and talking. The air is electric with ideas and creativity. Sometimes I like to just watch them work and interact with each other. It's so important to belong to a community and where I work we strive to provide that for artists who struggle with mental health issues. 

Now my brain is full of ideas for more ATCs. Since the working area consists of only 2 1/2" x 3 1/2" I think some designs might translate to my work with the 1" x 1" pendants. 

I made the card above on a piece of heavy watercolor paper. A tag, a picture of a model with fairy wings, and the number 6 were collaged onto the card after I painted the background pink with Lumiere paints (my favorite!). Then the fairy got teal polka dots. The back has my signature, the date, and the edition of 1/1. 

I think I am going to keep this one since it is my first. But for future reference, does anyone want to trade?