"Summer Evening" Gelli Print

Since my Artist Spotlight post went up at Gelli Arts' Facebook page I've had some inquiries into how I've created some of these prints. Several people had questions regarding the vibrancy of my prints. How do I do it?

To be honest, I'm not completely sure. I really had to go back and almost dissect my work to produce an answer. 

Right now my best "guess" is using color theory to not layer colors over each other that produce muddiness (like putting a bright yellow over a purple because red + blue + yellow = mud). 

I use rather bright paint colors to begin with. As with any kind of paint the colors vary in opacity and translucency. Knowing your paint helps a lot. 

Let's take a look at my "Summer Evening" gelli monoprint.

I will freely admit much of this print is a happy accident. This piece was very experimental from the start except for the leafy vine stencil I cut freehand. 

The first layer of paint is a dark cranberry purple -  Yes, I know I just ignored the suggestion above about putting those colors in a bottom layer. Experimental, remember? 

The large circles, when wiped out with my finger and a paper towel, looked really nice with how organic the edges became when printed. 

I added a little fuchsia over that cranberry purple. You can see in the wiped out circles the little lines and squares of fuchsia. 

I wanted a lot of color and layers under the vine to create a lot of dimension. Intending to just print on the left side under where I planned to put the vine stencil, I inked up my gelli plate with yellow. While printing the left side of the piece, the right edge of the paper fell out of my hand and into the yellow paint. EEEK!

Mud! Instant muddy brown. What to do?! Grab a baby wipe!

I figured there was enough paint on the paper already that it would hold up to a wet wipe down. When I wiped away the yellow paint it left this glowing, bright yellow orange behind. The fuchsia and yellow created this color in the white space of the wiped out circles. So basically this side of the print received a yellow color wash. Nice happy accident! 

Incidentally, you can see how awful that yellow muddied things up if you look in the upper right corner of the piece. There is some of that yellow that I didn't wipe off. (I suppose if I wasn't going for bright colors and wanted brown I would have been satisfied with that yellow.)

I printed a thick layer of turquoise while masking out the vine with my hand cut stencil. Then I used a handmade stamp over that with more fuchsia. Several more handmade stamps, some stenciling with punchinella, and some white gel pen brought the piece together.

Ta da!

Working on this piece got my brain wondering how color washes over prints would look. I added Distress Stains over some parts of other prints, and it looks really cool. Adds a pop the piece didn't have before. I also seem to have a thing against white space. I love full blown color all over. I made some prints on paper I covered completely in Distress Stains and watercolor. 

Color washing first also helps me avoid the "white blank page" staring contest. It's already started! All I'm doing is adding to it, I tell myself reassuringly. 

I would love to share in the joy of your happy accidents! Link up to your posts about them in the comments, please!

- Vickie

Doodles Unleashed Workshop: Week 2

I am so very excited to take another awesome workshop by Traci Bautista called "Doodles Unleashed".  Traci is the author of the new book Doodles Unleashed. You may know her from her book called Collage Unleashed. I already bought Doodles Unleashed online and am waiting impatiently for its arrival.

What is even cooler about this workshop is it's a FREE course offered by Strathmore Online Workshops. 

Strathmore is an art paper company. They make many of the papers with which I work. Traci is recommending for this workshop the 400 series of Strathmore papers made for specific uses such as mixed media (which is a thicker paper able to take the abuse of mixed media work). I like the acrylic paper in the 400 series, which has a nice faux canvas texture that also holds up well to mixed media use. 

The image above is my Spontaneous Watercolor Background from Week 2 of the course. We were encouraged to play with the watercolor like mad scientists. This was my third attempt at getting it how I wanted. The first two were overworked and muddy. I will probably keep them and chop them up for other uses. [Image above: 11"x15", watercolor paper, © 2012 In My Head Studios]

I took a bunch of photos of this piece for future reference. I like to get in really close and get the details photographed. I love the macro setting on my camera. It's awesome. These images are good for making note cards and promotional materials. Also I print these photos for use in an art journal or other collage project. I like to make the most use of my work in this way.

Below you can see the close ups. Don't you love the splotchyness? That big splatter of orange hit that wide brush stroke perfectly. I was thrilled when that happened. Never underestimate the power of throwing paint at your work!

I'm practicing painting circles with a small round brush. For some reason this ability eludes me. I am happy with these circles because I remembered to keep my brush loaded with paint. (You can't paint without paint on your brush!!)

Love the splotchy splatters! Yes, I got paint all over myself.

I waited for the first applications of watercolor to dry so I could go back over them with contrasting colors without making a muddy brown mix. When I say "waited" I mean I impatiently shot the heatgun at it until it dried.

I highly recommend signing up for this class if you like to doodle, experiment with paint, or want to increase your skills in these areas. Traci takes doodling to another level with paint. Doodling is a really important part of our creative development.

So get outta here! Go! Run right now to sign up for this class! I'll see you in the forums!

 

- Vickie 

p.s. I have not received any compensation, product or otherwise from Strathmore or Traci Bautista. I'm writing this to present cool stuff - not to make a profit off blogging. My opinions are my own. I am not affiliated with Strathmore or Traci Bautista.

Art Journal: 8-28-08 :: “Circles”

(click image to see bigger over at flickr!)

This page started without any real direction or thought out plan for the finished page. In my stash I have this great polka-dotted blue tissue paper that I’ve been looking for something to do with.

I employed Golden Regular Gel Medium (matte) to secure the tissue to the page, and let that dry overnight as I decided on how I wanted to use the page.

Lately, some health problems have been plaguing me, and I feel like I’m getting nowhere quickly. I get a little better, and then it gets worse again. Up. Down. Up. down. Round and round. Can I get off the merry-go-round now, pretty please?

The circles were filled with images that struck me at the time. The clenched fist image represents me holding on for dear life, as well as a symbol of my strength. Some images were rubber-stamped and some were stenciled. The words “REVEAL”, “SHARE”, and “GAIN” reflect the purpose of this art journal. There is no exploration or learning unless I reveal myself to myself and share it in order to gain.

Creating this page reminded me that I am not truly just going in circles. It just feels that way sometimes when I am frustrated. In truth, I am much better than I was just six months ago, and I continue to do better everyday. My situation is possibly more akin to an upward spiral where I get close to where I started as I come around again but I’m not at the start.

So, I’m just on page two here and I’m already gaining some insight into my art imagery and myself. Thanks, art journal!